New work, finally!

It’s not that during the pandemic I haven’t been making art. Quite the opposite. Painting, painting, painting! And just now finding a moment to stop, catch my breath, post a few images of the recent stuff. Some of the new I put in the “slider,” for viewing tout de suite. A few more images here…

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Letter to a young model

What makes a good artists’ model a good model? An aspect or mood of the model speaking to an aspect or mood of the artist? And what’s in the model’s head or heart matters more than any physical forms, however unclothed? Not to ignore the advantages of bad models and bad moods! Short text accompanied by images from William Eaton’s drawings, and with a closing text adapted from Rilke (on the marriage of model and artist?).

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The Black Model, Portraits, Naming and Renaming

Comments and translation regarding the renaming of Marie-Guillemine Benoist’s “Portrait d’une négresse”, a.k.a. “Portrait de Madeleine.” This as regards the show “Le modèle noir de Géricault à Matisse” (Musée d’Orsay), earlier known as “Posing Modernity: The Black Model from Manet and Matisse to Today.” The comments also touch on Degas’s “Petite Danseuse” and work by Thomas Eakins, Francis Bacon and Lucian Freud, and the piece includes charcoal drawings by William Eaton.

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